Ableton Live Mastering Tutorial In 9 Simple Steps (Step #8 is my favorite!) | .Ableton Live | Ableton
Using third-party plug-ins.
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View Details. Loading. Free tutorial. Rating: out of 5 (80 ratings) 6, students. 41min of on-demand video. Created by Tomas George, Digital Music Masters. English. English [Auto] Some of the features I discuss in this course will only be available for Ableton Live Suite 9 In this video, I will show you my 5 Easy Steps to get started in Ableton Live 9. Live Handbuch. Sie können das Handbuch für Live online lesen. Das Handbuch ist auch als PDF in Live enthalten. Um es zu öffnen, starten Sie Live und klicken auf die folgende Option in Lives Menüleiste: Hilfe → Die Live-Anleitung lesen Sie können auch eine PDF-Version des Handbuchs unten herunterladen.
Getting Started with Live 9 – new tutorial series | Ableton.Getting Started with Live 9 – new tutorial series | Ableton
It also depends on your tastes. One reason why we do mastering to our tracks is to make them sound louder and more energetic , so that they will stand up to other tracks in the same or similar genre, when our tracks get played by DJs for example.
When we heavily compress or limit a sound, we reduce its dynamic range. Here is an example of a track by Knife Party that has had heavy limiting applied to it in the mastering stage. See how flat the sound wave looks. If you listen to it, you can tell that it sounds loud, but the dynamic range sounds relatively small compared with other songs. The choice is yours… Personally I try to make my tracks sound as loud as other tracks in that genre, while also trying not to go too crazy with the limiting and compression.
The low band will have the heaviest compression to thicken it up the most, and its dynamic range will be reduced more than the mid and high bands. Because the low band frequencies are the ones that provide the most energy to the track, and our ears like to hear a consistent volume level. We find it easier to dance to and to let our minds go with the flow of the song when the dynamic range of the low band is nice and tight.
Here are some suggested settings to use:. Alternatively, you can leave the make up activated. For all three compressors, you will probably want to use Peak mode, so that the compressor reacts to the peaks in level, as opposed to RMS mode, where it reacts more slowly and is less sensitive to peaks.
It really depends on your genre, your tastes and the quality of your mixdown. For the mid band, we will apply some gentle compression, but it will be weaker than the compression we applied to the low band. For the high band, you may want to apply ever gentler compression, or consider having no compression at all on the high band. It is up to you. Mastering requires lots and lots of practice and training your ear. This is where we further reduce the sudden peaks that occur in the track.
By default, the ceiling of the limiter in Ableton Live is set to We want to reduce the ceiling until we see a small amount of gain reduction happening. Here is my suggested amount of gain reduction for each band:. The next step is to drag and drop an EQ Eight onto your master channel, after the audio effect rack. You can use this to take out any unpleasant frequencies if they are there, but it is much better if you have done this in the mixdown stage in the previous project before you exported your stems.
Here are some suggested settings for this EQ unit to get a better polished final version of your track:. Ideally, at around 30 Hz you would want a brick wall limiter to completely take out any frequencies below 30 Hz.
To make your track subtly sound a lot brighter, without going crazy on the overall brightness, create a pole at This works wonders for me and I do it in nearly every track I master. Drop a limiter after the EQ Eight unit.
We will keep the ceiling at its default We want no more than 6 dB of gain reduction in this limiter. Listen at very quiet levels and medium levels. You need to make sure it all sounds good at the quieter levels. These sample rate and bit depth settings are what CDs use and what MP3s will use anyway, so there is no point in exporting at this stage in a higher bit depth or sample rate. Thank you for reading this far, and if you found this useful or if you have any other tips, please leave a comment below and tell me what you thought!
Facebook Twitter Youtube Instagram. Step 1 — Bounce out your groups of tracks as stems When you are mastering your own music , you can bounce out the groups of tracks as.
Why no dither? Why keep your sub separate from your mid bass stem? To do this, click on map mode so that all the parameters in the audio effect rack become green. It should look something like this: Next, you can set macro 1 to about Hz and macro 2 to about 3 kHz. So how do we make the low frequency band mono? Job done. Find help articles on all of our products plus support for your shopping and product licence questions.
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